Alisha Wetherill is a stills photographer from New Zealand, working between New York and Europe. Her practice moves between film and fine art, with a focus on quiet, observational imagery.

She has worked as a unit stills photographer on feature films including The Idea of You, The Good Mother, Memory, and Big Gold Brick.

Her work has been published in Forbes, The New York Times, The Washington Post, TIME, and The Hollywood Reporter.

Alongside her film work, she maintains an ongoing fine art practice concerned with stillness, duration, and what remains after an event has passed.