The images are made slowly, often returning to the same places over time. Long exposure is used not to dramatize the landscape, but to soften it, allowing surfaces to settle and moments to stretch. What emerges is not a record of a specific place, but a pause - something held between stillness and disappearance.

Water, land, and quiet traces of human intervention recur throughout the work. These elements are not treated as subjects to be explained, but as conditions that hold time, memory, and absence.

Still, After resists spectacle. It is attentive to restraint, duration, and the subtle emotional residue that lingers when something has already occurred. The photographs ask for patience, and are intended to be lived with slowly.